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An intelligent
theatre machine for the art of the future
It will appear in the dark as a well lit and expressive monolith.
The art scene's new shining star in the midst of an urban landscape of
formal buildings and pulsing traffic sounds emanating from the new metro.
The avant-garde theatre troupes, Hotel Proforma, and Troupe Kaleidoscope,
plus the Danish Architecture Centre, and the Art Gallery Overgaden are
the driving forces behind this new institution for the experimental arts.
Knud Fladeland Nielsen is the architect and creator of this transparent
and intelligent building, which actively engages the environment around
it. Its transparent facade is capable of capturing signals and signs of
life from its urban surroundings and from within the depths of it own
walls, reflect light and images back into the urban scene.
Art
and fluid boundaries
Art forms are melting together. The boundaries between drama, dance, film,
music, architecture and installation art are crumbling. New forms of artistic
expression are emerging. Advanced architecture and new technology can
be a catalyst for this artistic process, when brought in as equal partners
to solve the art scene's changing physical needs. The varying demands
of modern drama and art, combined with the possibilities of new technologies,
has given birth to this new and ultra flexible solution.
Permanent and flexible
Since 1985, Hotel Proforma has produced an array of unique performances
in museums, town halls, theatres, and public institutions. As a continuing
theme, many of these productions have been in active dialogue with their
physical surroundings. Gradually, the need for a permanent yet flexible
building for their experimental art has become clear. A building that
can contain their unique blend of poetic and dramatic performances that
typically unite blended art forms like installation and media art. These
innovative ensembles will be able to use the building as a laboratory
for the development of future artistic expression. The building is conceived
as an open invitation for experimental artists. With advanced computer
controlled stage technology, the building is constructed as a multifunctional
and flexible theatre machine, that will offer the possibility for quick
and frictionless changes in
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the building's
activities and offerings to the public. Dramatic performances can follow
exhibitions and installations in the same day utilising mobile walls and
floors.
Ambitious
and subtle
The simple appearance of the outer shell simultaneously exposes and blurs
the building's dramatic interior. This underscores Hotel Proforma's artistic
signature which involves a wondrous and an unforeseeable poetry. The simplicity
in the exterior architectural expression gives one's mind room and opportunity
to unfold, free of individual associations.
Simple
and provocative
The foyer is placed on top of the large central theatre and exhibition
space. The public's arrival over the space is dramatically highlighted
by the glass floor which offers views directly down onto the stage below.
This a functional and unique contribution, placing the foyer on top of
the stage, in that the public has to ascend to the top of the building's
highest point in order to descend down to the stage area again. In the
foyer, at the start of the performance, the public enters into mobile
balconies, built into the outer walls which allows them to descend down
to the scene below, contributing to a sort of weightlessness. This opens
up possibilities for a whole new relationship between the artists and
the public. The mobile balconies allow for new role relationships In dramatic
interaction between the public and the actors on the stage. It opens up
for new dramatic possibilities when the public and the actors confront
each other and move amongst each other, blurring the lines between them.
In this open and flexible theatre we come closer to the possibility for
a new form of total theatre challenging the tyranny of the traditional
frontal perspective in theatre performance.
Overture
and identity
The project contains many ideas and visions for new relationships between
artists, ensembles, and the public. The architecture of the building invites
the challenging of new borders and the reinterpretation of future artistic
expression. As a building, it is flexible and dynamic theatre machine
that can be seen as an overture to the future identity of the theatre,
its artists and the public.
© Jan Andersen 2002
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